What a wonderful time to discover the sly and seductive charm of Edith Schloss's largely under-the-radar art, writing, and life.
As the daughter of first-generation Abstract Expressionist Jack Tworkov, Hermine Ford grew up immersed in the counterculture of Abstract Expression and spent her childhood surrounded by her father’s inner circle of influential American painters including William de Kooning and Robert Rauschenberg. With such a significant upbringing, Ford was almost fated to be a painter, despite a natural desire to set herself apart from the strong male figures in her life.
As the title “Blue Italian Skies Above” suggests, walking into the exhibition of Edith Schloss’s paintings now at Alexandre Gallery produces a kind of pastoral contentment. But don’t be fooled into thinking she was a shallow, acquiescent Pollyanna. Lurking in that casual lightness is a distinct quality of mortality and limitation.
Alexandre Gallery is pleased to announce the exhibition Edith Schloss: Blue Italian Skies Above, the gallery’s inaugural exhibition of works by the artist (1919-2011), marking its representation of the estate.
CITYarts is proud to present the first iteration of exhibitions in this online format for our project SoHo Artists History Walk. Celebrating the works of nearly 100 of the artists whose careers have helped to define New York's SoHo neighborhood and community.
Early in her book The Loft Generation, the artist and critic Edith Schlossrecalls the painting that changed her life.
Edith Schloss's memoir recounts an era of great creative vitality and the time she spent with Willem and Elaine de Kooning, Merce Cunningham
Fairchain generates digital contracts and certificates of title and authenticity, allowing artists to track their work and share in secondary market proceeds.
A self-portrait by artist Frida Kahlo sold for just under $35 million this week at Sotheby's in New York. The sale highlighted how the works of women artists can command incredible sums on the world market. But that hardly tells the whole story. Anthony Mason has more.
After being out of print for more than sixty years, the Grove Press English edition is now back in circulation with Hauser & Wirth Publishers’ fully authorized facsimile of Duchamp’s seminal first monograph and catalogue raisonné.
The new theatrical space of Amy Lincoln. September 15, 2021 2:04 pm. Amy Lincoln, installation view. Courtesy Sperone Westwater, New York.
For her new paintings, on display at The Journal Gallery in their rotating “Tennis Elbow” series, Pam Glick seems to embrace both the automatic and the procedural.
Children weigh in on dealing with their famous parents’ cultural heritage.
Rabbit Town has 30 days to remove the infringing installation and apologize to the Burden estate.
Ten years after Still’s death, the disposition of his estate remains unresolved. Herewith some speculations on the future of this huge cache of important work.
The first three of seven volumes are out this month.
